With Amy Adams and Jeremy Renner in the lead roles, principiale Arrival, is the first meeting of the Canadian director with like science fiction. Dr. Louise Banks (Adams), an expert in the linguistic diversity and Ian Donnelly With Amy Adams and Jeremy Renner in the lead roles, principiale Arrival, is the first meeting of the Canadian director with like science fiction. Dr. Louise Banks (Adams), an expert in the linguistic diversity and Ian Donnelly (Renner), a scientist very talented, are brought together to resolve an emergency situation: alien exceptional 12 ships have landed on the ground in 12 different corners of the world, and nobody knows what is their purpose.
At first glance, the originality of the story leaves to be desired, such ideas being among the most discussed topics addressed and analyzed by the majority of the SF fans. However, under the leadership of villeneuve, something, as it was expected, change and transform the arrival in one of the best films of 2016. And with as little detail as possible, in order not to spoil the surprise, I will try to explain what lies behind my conclusion.
More than a film of mystery thriller, or arrival is a creation which excels through an atmosphere and an unmistakable rhythm. It should be noted here is the slowness almost constant movement of his room Bradford Young (Selma, the most violent Year), accompanied in each time the key memorable music and melancholy of Jóhann Jóhannsson (prisoners, the theory of everything, Sicario). These elements give the film a cursivitate incredible, the passage of time becomes imperceptible and desclestarea from his universe Villeneuve is all the more difficult.
(Renner), a scientist very talented, are brought together to resolve an emergency situation: alien exceptional 12 ships have landed on the ground in 12 different corners of the world, and nobody knows what is their purpose.
At first glance, the originality of the story leaves to be desired, such ideas being among the most discussed topics addressed and analyzed by the majority of the SF fans. However, under the leadership of villeneuve, something, as it was expected, change and transform the arrival in one of the best films of 2016. And with as little detail as possible, in order not to spoil the surprise, I will try to explain what lies behind my conclusion.
More than a film of mystery thriller, or arrival is a creation which excels through an atmosphere and an unmistakable rhythm. It should be noted here is the slowness almost constant movement of his room Bradford Young (Selma, the most violent Year), accompanied in each time the key memorable music and melancholy of Jóhann Jóhannsson (prisoners, the theory of everything, Sicario). These elements give the film a cursivitate incredible, the passage of time becomes imperceptible and desclestarea from his universe Villeneuve is all the more difficult.
