Arthur Miller Plays:
Stage:
No Villain (1936)
They Too Arise (1937, based on No Villain)
Honors at Dawn (1938, based on They Too Arise)
The Grass Still Grows (1938, based on They Too Arise)
The Great Disobedience (1938)
Listen My Children (1939, with Norman Rosten)
The Golden Years (1940)
The Half-Bridge (1943)
The Man Who Had All the Luck (1944)[102]
All My Sons (1947)
Death of a Salesman (1949)
An Enemy of the People (1950, adaptation of Henrik Ibsen's play An Enemy of the People)
The Crucible (1953)
A View from the Bridge (1955)
A Memory of Two Mondays (1955)
After the Fall (1964)
Incident at Vichy (1964)
The Price (1968)
The Reason Why (1970)
Fame (one-act, 1970; revised for television 1978)
The Creation of the World and Other Business (1972)
Up from Paradise (1974)
The Archbishop's Ceiling (1977)
The American Clock (1980)
Playing for Time (television play, 1980)
Elegy for a Lady (short play, 1982, first part of Two Way Mirror)
Some Kind of Love Story (short play, 1982, second part of Two Way Mirror)
I Think About You a Great Deal (1986)
Playing for Time (stage version, 1985)
I Can't Remember Anything (1987, collected in Danger: Memory!)
Clara (1987, collected in Danger: Memory!)
The Ride Down Mt. Morgan (1991)
The Last Yankee (1993)
Broken Glass (1994)
Mr. Peters' Connections (1998)
Resurrection Blues (2002)
Finishing the Picture (2004)
Radio:
The Pussycat and the Expert Plumber Who Was a Man (1940)
Joel Chandler Harris (1941)
The Battle of the Ovens (1942)
Thunder from the Mountains (1942)
I Was Married in Bataan (1942)
That They May Win (1943)
Listen for the Sound of Wings (1943)
Bernardine (1944)
I Love You (1944)
Grandpa and the Statue (1944)
The Philippines Never Surrendered (1944)
The Guardsman (1944, based on Ferenc Molnár's play)
The Story of Gus (1947)
Screenplays:
The Hook (1947)
All My Sons (1948)
Let's Make Love (1960)
The Misfits (1961)
Death of a Salesman (1985)
Everybody Wins (1990)
The Crucible (1996)
Fictional Works:
Focus (novel, 1945)
"The Misfits" (short story, published in Esquire, October 1957)
I Don't Need You Anymore (short stories, 1967)
"Homely Girl: A Life" (short story, 1992, published in UK as "Plain Girl: A Life" 1995)
Presence: Stories (2007) (short stories include "The Bare Manuscript", "Beavers", "The Performance", and "Bulldog")
Non fictional works:
Situation Normal (1944) is based on his experiences researching the war correspondence of Ernie Pyle.
In Russia (1969), the first of three books created with his photographer wife Inge Morath, offers Miller's impressions of Russia and Russian society.
In the Country (1977), with photographs by Morath and text by Miller, provides insight into how Miller spent his time in Roxbury, Connecticut, and profiles of his various neighbors.
Chinese Encounters (1979) is a travel journal with photographs by Morath. It depicts the Chinese society in the state of flux which followed the end of the
Cultural Revolution. Miller discusses the hardships of many writers, professors, and artists during Mao Zedong's regime.
Salesman in Beijing (1984) details Miller's experiences with the 1983 Beijing People's Theatre production of Death of a Salesman. He describes directing a Chinese cast in an American play.
Timebends: A Life, Methuen London (1987) ISBN 0-413-41480-9. Miller's autobiography.
On Politics and the Art of Acting, Viking 2001 {ISBN 0-670-030-422} an 85-page essay about the thespian skills in American politics, comparing FDR, JFK, Reagan, Clinton.
Collections:
Abbotson, Susan C. W. (ed.), Arthur Miller: Collected Essays, Penguin 2016 ISBN 978-0-14-310849-8
Kushner, Tony, ed. Arthur Miller, Collected Plays 1944–1961 (Library of America, 2006) ISBN 978-1-931082-91-4.
Martin, Robert A. (ed.), "The theater essays of Arthur Miller", foreword by Arthur Miller. NY: Viking Press, 1978 ISBN 0-14-004903-7