In a recent reaction video on their channel, Heróis e Mais, hosts Tony Blake and Elvis Ventura discussed the pressing topic of gaming disappointments in 2024, with a particular focus on a video by David Jones from Gameplay RJ. Titled “Top Five Major Disappointments of 2024,” the video sparked significant discussion among gamers, highlighting both specific titles and broader industry trends.
The hosts emphasized the growing frustration among gamers regarding certain titles released in the past year. Tony opened the discussion by mentioning Jones' controversial stance on how games like GTA V could be reimagined to avoid offending minority groups, hinting at potential pitfalls with character portrayals within certain contexts. This became the backdrop for a larger conversation about the evolving landscape of gaming and its reception by dedicated funs.
Elvis shared his experiences with the year’s releases, suggesting that he did not feel particularly disappointed himself. He mentioned enjoying titles such as Stella Blade and The Witcher 3, indicating that the disappointment largely stemmed from discussions around games he hadn’t played. This distinction set the tone for the hosts to explore specific disappointments highlighted by Jones.
Major Disappointment Rankings
During the video, the hosts summarized Jones’ list of disappointments, starting with Hellblade 2. Although not deemed a bad game, both hosts felt it fell short of the expectations set by its predecessor. Jones pointed out that the second installment was lacking in depth and experience, functioning more as a cinematic journey than a well-rounded game.
Elvis noted that the game appeared less ambitious, leaving fans dissatisfied. The hosts discussed the notion that development teams seem increasingly disconnected from fan feedback, leading many titles to outpace player expectations in an unfulfilling manner.
Ubisoft’s Missteps
Moving on, the hosts discussed Skull and Bones, another title that garnered disappointment for its execution. Despite a hefty production budget ranging from $600 to $800 million, the game failed to deliver on mechanics and gameplay depth. The criticism echoed sentiments that major companies, like Ubisoft, are experiencing a struggle to meet gamer demands, often resulting in subpar products that do not resonate with audiences.
Among the most discussed disappointments was Suicide Squad: Kill the Justice League, deemed a colossal flop. The game suffered multiple delays, leading to anticipation that only compounded expectations. However, when it finally released, it fell flat on gameplay and engagement fronts. The hosts pointed to a lack of coherent direction in gameplay mechanics, labeling it as monotonous and uninspired.
In a philosophical turn, Jones posited that the disappointments go beyond individual titles, illustrating a deeper malaise within the western gaming industry itself. The hosts echoed this sentiment, suggesting that there is a crisis of creativity and identity in how games are developed, particularly due to the influence of current cultural dynamics, or “woke culture” as they termed it.
This critique of the cultural influence led to discussions around the need for developers to prioritize quality and engagement over ideological messaging, underlining a belief that a disconnection from audience sentiment has become detrimental to the gaming landscape.
As the video drew to a close, the hosts expressed a desire for the trends seen in 2024 to prompt a necessary shift in game development practices. They hoped that the industry would learn from these setbacks and resonate more with its audience in the future. Highlighting the need for genuine connection over mere ideology, the discourse illuminated a roadmap toward rescuing the industry’s integrity and delivering quality products that gamers truly want.
Elvis wrapped up the conversation by endorsing a proactive approach for consumers while emphasizing the importance of investing wisely—whether in games or through substantial financial advice showcased on their channel.
In summary, as the gaming community navigates the shifting tides of production, culture, and consumer expectations, the reflections shared by Tony and Elvis on Heróis e Mais embody the frustrations, hopes, and aspirations of many gamers looking to reclaim the joy of immersive and engaging gaming experiences.
Part 1/8:
The Disillusions of Gaming in 2024: A Deep Dive
In a recent reaction video on their channel, Heróis e Mais, hosts Tony Blake and Elvis Ventura discussed the pressing topic of gaming disappointments in 2024, with a particular focus on a video by David Jones from Gameplay RJ. Titled “Top Five Major Disappointments of 2024,” the video sparked significant discussion among gamers, highlighting both specific titles and broader industry trends.
Introduction to the Disappointments
Part 2/8:
The hosts emphasized the growing frustration among gamers regarding certain titles released in the past year. Tony opened the discussion by mentioning Jones' controversial stance on how games like GTA V could be reimagined to avoid offending minority groups, hinting at potential pitfalls with character portrayals within certain contexts. This became the backdrop for a larger conversation about the evolving landscape of gaming and its reception by dedicated funs.
Personal Gaming Experiences
Part 3/8:
Elvis shared his experiences with the year’s releases, suggesting that he did not feel particularly disappointed himself. He mentioned enjoying titles such as Stella Blade and The Witcher 3, indicating that the disappointment largely stemmed from discussions around games he hadn’t played. This distinction set the tone for the hosts to explore specific disappointments highlighted by Jones.
Major Disappointment Rankings
During the video, the hosts summarized Jones’ list of disappointments, starting with Hellblade 2. Although not deemed a bad game, both hosts felt it fell short of the expectations set by its predecessor. Jones pointed out that the second installment was lacking in depth and experience, functioning more as a cinematic journey than a well-rounded game.
Part 4/8:
Elvis noted that the game appeared less ambitious, leaving fans dissatisfied. The hosts discussed the notion that development teams seem increasingly disconnected from fan feedback, leading many titles to outpace player expectations in an unfulfilling manner.
Ubisoft’s Missteps
Moving on, the hosts discussed Skull and Bones, another title that garnered disappointment for its execution. Despite a hefty production budget ranging from $600 to $800 million, the game failed to deliver on mechanics and gameplay depth. The criticism echoed sentiments that major companies, like Ubisoft, are experiencing a struggle to meet gamer demands, often resulting in subpar products that do not resonate with audiences.
Superhero Frustrations: Suicide Squad
Part 5/8:
Among the most discussed disappointments was Suicide Squad: Kill the Justice League, deemed a colossal flop. The game suffered multiple delays, leading to anticipation that only compounded expectations. However, when it finally released, it fell flat on gameplay and engagement fronts. The hosts pointed to a lack of coherent direction in gameplay mechanics, labeling it as monotonous and uninspired.
A Bigger Picture: The Western Gaming Industry
Part 6/8:
In a philosophical turn, Jones posited that the disappointments go beyond individual titles, illustrating a deeper malaise within the western gaming industry itself. The hosts echoed this sentiment, suggesting that there is a crisis of creativity and identity in how games are developed, particularly due to the influence of current cultural dynamics, or “woke culture” as they termed it.
This critique of the cultural influence led to discussions around the need for developers to prioritize quality and engagement over ideological messaging, underlining a belief that a disconnection from audience sentiment has become detrimental to the gaming landscape.
Closing Thoughts: A Hope for Change
Part 7/8:
As the video drew to a close, the hosts expressed a desire for the trends seen in 2024 to prompt a necessary shift in game development practices. They hoped that the industry would learn from these setbacks and resonate more with its audience in the future. Highlighting the need for genuine connection over mere ideology, the discourse illuminated a roadmap toward rescuing the industry’s integrity and delivering quality products that gamers truly want.
Elvis wrapped up the conversation by endorsing a proactive approach for consumers while emphasizing the importance of investing wisely—whether in games or through substantial financial advice showcased on their channel.
Part 8/8:
In summary, as the gaming community navigates the shifting tides of production, culture, and consumer expectations, the reflections shared by Tony and Elvis on Heróis e Mais embody the frustrations, hopes, and aspirations of many gamers looking to reclaim the joy of immersive and engaging gaming experiences.