Part 7/9:
Yanik is admired not only for his professional accomplishments but also for his personal warmth. His mentorship has forged deep friendships with dancers and colleagues alike. Christina, a contemporary dancer, describes their relationship evolving from mentorship to genuine friendship—sometimes jokingly referring to him as a parental figure or even a "father" figure.
He often calls his role as director Singapore Ballet his “baby,” indicating his emotional investment. Despite his success, he admits to feelings of loneliness, wishing to return to Sweden occasionally but prioritizing the growth of Singapore Ballet.