Part 5/11:

She points out that studios like Disney and Pixar are now more motivated by political correctness and social messaging than genuine artistic innovation. This shift has led to significant financial failures for studios as audiences grow weary of politically charged content. She claims that these companies are not producing movies to entertain but to serve ideological goals, often at the expense of quality and originality, which alienates traditional audiences—particularly parents seeking wholesome entertainment for their children.

She also discusses broader cultural dynamics, including the tendency of executives—many outside of traditional parenting roles—to influence media portrayal and messaging aimed at children, effectively using entertainment as a tool for cultural indoctrination.