Part 10/12:
One of the film's strengths lies in how it connects scientific achievement with personal drama. It humanizes the scientists, showing their envy, camaraderie, and rivalries—particularly the conflict between Oppenheimer and Strauss—mirroring the larger political battles at play.
The narrative also underscores the destructive potential of technological progress—Oppenheimer’s achievement becomes a metaphor for self-destruction, encapsulating the idea that achieving a goal can simultaneously unleash devastating consequences. This duality is reflected in scenes where Oppenheimer questions his role and morals, grappling with guilt and hubris.