Part 3/11:

A notable point of contention in the discussion revolves around Mammoth's daughter, who is a relatively well-known actress. Critics argue that her career advantages—like early roles and recognition—may stem from her familial connections, raising questions about nepotism. Mammoth defends her by stating she earned her credits through merit, pointing out that her work appeared in shows like The Unit—which he created—long before her industry prominence.

He admits that being connected might open doors more easily but insists that talent plays a crucial role, and that outright denial of privilege is naïve. Mammoth suggests that acknowledging human nature's favoritism is more realistic than pretending it doesn’t exist, and criticizes efforts to deny or hide nepotism altogether.