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In summary, Madame Web exemplifies the ongoing struggles of Sony’s attempts at building a profitable and cohesive spider-verse outside of Spider-Man himself. Its creative deviations, lack of interconnectedness, and apparent internal chaos serve as a cautionary tale about franchise management and the importance of narrative consistency. As it premieres, it seems destined not to leave a lasting mark but rather to serve as another cautionary chapter in the decline of Sony’s superhero ambitions.

What are your thoughts on Sony's current approach to Spider-Man-related projects? Do standalone films have a place in modern superhero cinema, or does this strategy undermine long-term franchise potential? Let us know in the comments below.