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Historically, the predominant worldview can be categorized into two significant models: the Ceramic Model and the Fully Automatic Model of the universe. The Ceramic Model, rooted in biblical Genesis, portrays the world as a created artifact, akin to pots molded by a potter. Under this perspective, the divine creator functions as a master craftsman, shaping existence from a primordial substance, perceiving humanity as mere products of divine workmanship. This depiction generates an intrinsic feeling of separation from nature, as individuals regard themselves as external to the very fabric of the universe.