Part 3/8:
At the studio, the band was grappling with the sound they envisioned. They were aiming to integrate a synthesizer texture but were struggling with the limitations of the technology available at the time. Cooch, on the Farfisa organ, was at the center of the creative turmoil, depicting the push and pull typical in studio sessions when achieving the perfect sound.
The task was further complicated by creative tensions, particularly the reluctance of Jeff to perform to a click track, which made the synchronization of sounds a cumbersome process. Fortunately, with Greg LaDanni as the engineer and his foresight in recording a sync tone, everything fell into place when the musician arrived.