Part 6/9:
As analysis delves deeper, it becomes a subjective exercise, with listeners weighing in on the distinct sound of the count-ins. The whisper of the live count-in caught during the recording seems more characteristic of George, though Paul's bass may also lead one to those conclusions. The overdubbed count-in, performed with a whimsical voice, further complicates the issue—was it George being playful, or could it have been Paul using a similar tone heard in other works?