Part 4/8:
Both "Ainda Estou Aqui" and "O Alto da Compadecida 2" engage with historical narratives, rekindling interest in Brazil's past. Ventura appreciates how "Ainda Estou Aqui," utilizing 35 MM film, effectively resurrects the vibe of Rio de Janeiro during the 1970s, engaging audiences in nostalgia—a crucial feeling that can create a connection to the narrative. He stresses the importance of exploring diverse narratives from various eras rather than continually revisiting the same historical contexts, especially those surrounding the military dictatorship.