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Tony and Elves articulate a significant shift between the two films. The sequels, while attempting to retain the comedic roots, ultimately portray João Grilo as less of a hero and more of a self-serving character. This degeneration of his character raises questions about the moral compass within Brazilian cinema and culture as it adapts over time.
Concluding Thoughts on João Grilo’s Legacy
The duo concludes by underscoring the importance of viewing "O Auto da Compadecida" as a rich commentary on human behavior, morality, and survival. They invite viewers to reflect on their perceptions of João Grilo—whether they see him as a celebrated trickster or an embodiment of selfishness in the modern retellings of the story.