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Along their journey, the emotional toll of survival sets in, as evidenced when Ernest must euthanize their injured donkey, a creature youngsters typically bond with, leaving Jerome distraught yet resigned to the harshness of their reality. The scene highlights the film's exploration of attachment and detachment in an unforgiving environment.

Family Dynamics in Crisis

Back at home, the siblings' family unit struggles under the weight of their circumstances. Mary, the eldest daughter, becomes increasingly disillusioned with their stagnant life, ultimately deciding to sneak away one night to meet her boyfriend, Flem. This act of rebellion signals the growing rift within the family.