Cinematic, Music and Behind the scenes Review of the movie Kita-kita(2017)

Kita is a 2017 Filipino rom-com show film that follows the tale of Lea, a youthful Filipina lady who has as of late moved to Sapporo, Japan for work. Following a couple of long periods of depression and nostalgia, Lea meets Tonyo, a well disposed and active Japanese local escort who assists her with financially recovering. Together, they investigate the delightful city of Sapporo, and gradually, they fall head over heels.

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Kita is an invigorating and great much needed refresher. A genuinely remarkable story figures out how to catch the excellence of Sapporo as well as the mixed sensation of being away from home. The film investigates love, depression, and fellowship with a happy yet earnest tone.

The most enthralling part of kita is the exhibitions of its two leads, Empoy Marquez and Alessandra de Rossi. Marquez plays Tonyo, the carefree local escort with an endearing personality. He's ready to go, which assists with rejuvenating the film. De Rossi's depiction of Lea is similarly convincing. She brings a lot of feeling and weakness to the job, making her personality's process all the really influencing.

The cinematography of kita is additionally vital. The film exhibits the amazing excellence of Sapporo, from its rich green timberlands to its snow-shrouded slopes. The city is a person in itself, and it assists with improving the story.

Kita is a wonderful and inspiring film. It's an account of affection, fellowship, and the delights of finding another spot. The exhibitions of its two leads are superb, and the cinematography is shocking. Kita is a film that will leave you having a propelled and hopeful outlook on life. Enthusiastically suggested.

Behind the Scenes Story on How the Characters get their roles.

Director Sigrid Andrea Bernardo first came across Kita-Kita's lead actor, Empoy Marquez, when she spotted him in a commercial. She chose to cast him in Kita-Kita because she was so moved by his performance. Empoy was reluctant to accept the part at first, but Bernardo persuaded him by outlining the plot of the movie. Additionally, Bernardo assured him that she would give him the chance to develop his comic skills. Eventually taking on the responsibility, Empoy excelled in it. After several tryouts, Alessandra de Rossi was selected for the Kita-kita role. Director Sigrid Andrea Bernardo was looking for an actor who could play the part of Lea with charm and honesty, and after seeing Alessandra's audition, she knew she was the ideal choice.

Cinematographic review

Odyssey Flores, a seasoned Filipino cinematographer, handled the photography.

Kita-cinematography kita's by Flores is distinguished by its vivid colors, jovial atmosphere, and subtle camera movements. He specifically uses vivid colors to give the movie an airy, romantic feel. The modest and discreet camera motions foster a feeling of closeness and reality. The mild, natural lighting creates a pleasant, inviting ambiance.

Overall, the film's lighthearted and romantic tone is successfully communicated through Kita-cinematography. kita's Warm, natural lighting sets the tone while the vivid colors and gentle camera motions serve to create an intimate ambiance. This movie's cinematography by Odyssey Flores is a remarkable example of the craft.

Music Review

I would give KitaKita's music an 8 out of 10. The soundtrack is energetic and lively, and it perfectly matches the mood of the film. The majority of the songs on the soundtrack are lively, catchy pop songs, with a few slower, more tragic songs suiting the dramatic scenes. The music is often good and contributes to a better viewing experience.

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