As I said before, street photography can be diverse, where there are many subgenres. But there are no official concepts of these branches anywhere, so you have to come up with them yourself.
Now I am studying a subgenre of street, which uses all sorts of tricks in the form of overlapping objects on top of each other, combining, substituting one for another.
This subgenre has humorous notes.
I'm not good enough at seeing these plots yet, but I've done everything I can to learn it quickly.
First of all, I subscribed to Instagram accounts and communities where such creative techniques are used.
This is a very important key that helps you master any technique in photography.
So a couple of years ago I studied the direction of the street with a full frontal flash.
Using different tricks is most likely the frequency of the mind, where you need to think, and not react to compositions that evoke a response in the soul.
But you also need to be able to do this, as it helps to create an interesting frame in a reportage shoot, that is, in work.
I believe that if you hone any skill and put it into automatic mode, then you can shoot from the heart and for the soul, without resorting to the mind.
This will be a real photographic response!
But I used to think in the landscape, and in street photography, and even in the yard spaces...
At first, there is no way without a mind, the main thing is to learn how to turn it off over time and turn on the soul, that is, the inner sensations of reality. And those creative techniques that have been developed over the years by the mind will work unconsciously.