Oldest 'tattoo art' discovered on ancient Egyptian mummies

in #egyptian7 years ago

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world's oldest figurative tattoos have been discovered on two 5,000-year-old mummies from Egypt.

Tattoos depicting a wild bull and a Barbary sheep were found on the upper arm of a male mummy, while the shoulder and upper arm of a female mummy bore "S"-shaped motifs.

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The find, details of which are published in the Journal of Archaeological Science, pushes back evidence for the tattooing in Africa by 1,000 years, and it overturns the belief that only women were tattooed in Predynastic Egypt -- the era before the country's unification by the first pharaoh about 3100 BC.
"The symbols being tattooed are quite extraordinary," said Daniel Antoine, one of the lead researchers in the project and the British Museum's curator of physical anthropology.
The sarcophagus of King Tutankhamun displayed in his burial chamber in in the Valley of the Kings.

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sign of status, magical power or just art?

Antoine says the animals on the man, especially the bull, are likely to be associated with status, power and virility. Both horned animals are frequently depicted in predynastic Egyptian art. Similarly, the S motifs that run vertically over the woman's right shoulder were used in pottery decoration at the time.
Antoine points out that the mummies -- who, according to radiocarbon dating, lived between 3351 and 3017 BC -- were from the period before Egyptian hieroglyphs came into use. This makes it harder to determine the meanings behind the symbols, as all researchers have to go on is parallels with imagery found elsewhere.

The male mummy's sheep tattoo resembles predynastic carvings.
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The male mummy's sheep tattoo resembles predynastic carvings.
He speculates that the tattoos symbolized a combination of things: "referencing status, maybe bravery in the case of the animals, but also maybe something more complex, like cult or magical knowledge or protection."
"They were very sophisticated people 5,000 years ago," he said. "There's no reason why their reasoning for having a tattoo on their body wouldn't be as multifaceted as it is today."
Ancient tattoo artists
The research suggests that the tattooing process would have been similar to that of today: using a needle to insert a carbon-based element -- probably soot -- under the skin. "They were very fine craftsmen, so I'm sure they would have been very good at tattooing," Antoine said.
Previously, archaeologists thought that tattooing was applied only to women, for fertility or even erotic reasons. The new discovery proves that it involved both sexes.
The mummies, known officially as "Gebelein Man A" and "Gebelein woman," named after the town in the southern part of Upper Egypt, near Luxor, where they were first discovered, have been part of the British Museum's collection for years.
The Gebelein man has been on display since his discovery 100 years ago and is one of the museum's most popular attractions. A postmortem exam carried out in 2012 indicates that he was between 18 and 21 when he died and had suffered a stab wound to the back. Tufts of ginger-colored hair can still be seen on his scalp.
A series of "S" shapes can be seen on the female Gebelein mummy.
A series of "S" shapes can be seen on the female Gebelein mummy.
However, the dark smudges on his arms had been overlooked until Antoine, who is in charge of all human remains, started conservation work on the mummies and decided to examine their skin with infrared imaging.
New technologies advance old research
Antoine hopes the results inspire other museums to start new research on their existing collections. "It's an opportunity for me to demonstrate that even though some of the collection we have in the museum has been here for a long time, as the science and the technology evolves, there's always new opportunities to find out more," he said.
The oldest example of tattoos are on the Alpine mummy known as Ötzi, who was thought to have lived between 3370 and 3100 BC, almost contemporary with the Gebelein pair.
But the iceman's tattoos consist of geometric patterns rather than figurative images. The locations of Ötzi's tattoos, on acupuncture or healing points, suggest that they were used as a pain relief treatment, whereas the tattoos on the Egyptian mummies were on highly visible areas, designed to be shown off.
Antoine says that this it what makes the find so special: It suggests that tattoos were an art form. "People are mirroring on their bodies what they are also displaying elsewhere," he said.

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The World's Oldest Tattoo Artist Is up for a National Award

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Whang-od Oggay is the last mambabatok tattoo artist in the Philippines and is up for a National Treasures Award.
At 97-years-old, Whang-od Oggay is about to receive a National Treasures Award from the Philippines government for her tremendous and historic work in the tattoo community. She is the oldest, and considered to be the last, practitioner of the "batok" style of tattooing. Because of this recognition and widespread acclaim, Whang-od's hometown of Buscalan is now a popular tourist destination for those who wish to receive some historically significant body art.
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Whang-od's technique for tattooing people dates back over a thousand years before her time, and is relatively painful compared to the more modern ways of tattooing. The batok style uses ink composed of charcoal and water, and is tapped into the skin via the thorn end of a pomelo or calamansi tree.
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Whang-od started tattooing the Butbut Kalinga people over 80 years ago. She used to tattoo headhunters, but as modern life progresses, warriors of the Kalinga people are less and less frequent, so Whang-od has taken to tattooing tourists for pay.

According to the tradition of her people, her tattoo skills can only be inherited by her lineage. Whang-od lost her husband at age 25 and never remarried, thus bore no children. This leaves her style of tattooing at risk for extinction. Luckily, she has been teaching her grandniece the art form, which she hopes will continue for many generations to come.
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Many Filipino citizens have pushed for Whang-od to be declared one of the National Artists of the Philippines. The Philippines' Senate has since nominated her to become one of the country's National Living Treasures, which would put her on par with the National Artists of the Philippines.
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Whang-od's case is now under review by the National Commission for Culture and the Arts (NCCA), and once the process is completed, the papers will be sent to the president for approval. If Whang-od is successful in her quest, she will be only the third person awarded the honor in her region.

Whang-od's contributions to the tattoo community are historical and significant. Hopefully she will be awarded the National Living Treasure award, and will give a big boost to the tattoo community of the Philippines.

Oldest one

Very informative post

LARS KRUTAK

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TATU LU: TATTOOS FROM THE DREAMTIME

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The Aussie pioneer of the Neo-Aboriginal style, Tatu Lu.

linkages to his ancestral territory:

“My mother’s family comes from Groote Eylandt [Island], which is northeast of Arnhem Land in the Northern Territory and our tribe is the Mara. My mother, who is an Aboriginal artist, follows the Arnhem Land style of art which is her father’s tradition. I wanted to express my Aboriginal heritage with images of native water fauna, which were all a very important part of life on Groote. The long-necked turtle represents my family totem, we put Groote Eylandt in the centre, surrounded by rarrk (Aboriginal cross-hatching) designed by my mother. Barramundi fish represent a common food source and also the saltwater crocodile, an unforgettable part of island life. The island was placed in the centre of the turtle’s shell to deliberately incite the question of what is it? Which it does! It gives me the chance to explain to people about where I come from and my family. It’s become a wonderful tool for educating people about my cultural roots.”

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BIOGRAPHY: MAUD WAGNER – TATTOOIST
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Born in Kansas in 1877, Maud was the first female tattoo artist in the United States. She began her adult life as a circus performer, working within various travelling circuses. In the early 1900s, while working within the St Louis World’s Fair as an acrobat, aerialist and contortionist, she met Gus Wagner.

Gus Wagner was known as the ‘Tattooed Globetrotter’. He was a well-known tattoo artist and one of the last tattooists to only work by hand, using the stick and poke method. Some say Gus offered Maud tattoo lessons in return for her going on a date with him, but other sources argue that Maud demanded lessons in return for said date. The jury is still out as to which is the truth, but it is evident that he taught her how to tattoo her own body, not just the bodies of others.

It didn’t take long before she became covered in tattoo artwork, becoming a circus attraction herself – an inked woman. Margo DeMello comments in Inked, Tattoos and Body Art Around The Word, that Maud’s tattoos were ‘typical of the period’, and consisted of ‘patriotic tattoos’ and ‘tattoos of monkey, butterflies, lions, horses, snakes, trees, women’. Maud also reportedly had her own name tattooed on her left arm. Tattooed women were a regular occurrence in circus side-shows; a barely-clad woman with her body permanently altered through ink was somewhat of a spectacle.

Gus and Maud married, and moved from circuses to smaller vaudeville houses. They’re often credited with bringing tattoo artistry inland from the coastal towns and cities where the customs and practices first started. This movement of tattoo culture enabled the skills to be shared amongst locals, and served to help disseminate tattooing widely.

Like Gus, Maud used the manual stick and poke method exclusively, despite the fact that tattoo machines were becoming widely available and frequently used by other artists. After her success in performing the skill, she passed it on to her daughter, Lovetta. Interestingly though, Maud refused to let Gus tattoo their daughter. This resulted in Lovetta being one of very few tattoo artists to have never been tattooed; one account suggests that Lovetta decided if she couldn’t be tattooed by her father, then she wouldn’t be tattooed by anyone.

Maud died in 1961 after many years of being one of few female tattoo artists in her country, and no doubt she would have faced unique hardships for being a woman in a perceived male realm. Maud and Gus were also two of the few tattoo artists to become renowned for stick and poke work; it’s likely Maud is the only female tattoo artist to achieve this renown. She died one of the most famous stick and poke tattoo artists of her generation; a legacy that lived on through Lovetta whose last tattoo was completed using the stick and poke on tattooist and collector Don Ed Hardy.

Good work is,n it

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