I've been inspired by other artists and by circumstance to inject more of my own emotions into my artwork. My background as an artist and performer tells me that when an idea frightens you, it's actually an exciting sign, and you should move toward it rather than avoiding it. A lot of my past work has been concerned with being "beautiful" and presenting something lasting that people can live with in their homes and enjoy over a long span, so this shift in approach seems a bit scary to me (which is why it feels important).
In these two drawings (I feel there will be a third that hasten't yet emerged) I am depicting fears and doubts about my ongoing struggle to find self-worth (and economic worth) in my work, and my quest to seek the right direction in life.
Go Where You Fear to Go (2019), digital art by Kevin McLaughlin
Here a questing man-child leaves a visible trail of past selves/decisions as he confronts a towering figure (perhaps the angel Sandalphon), through whose legs appears a passage into the unknown. A carnival-type sign with a question mark spinner is posted nearby but it seems to offer little guidance, and it is unclear whether or not the smaller figure has used it.
Recovery (2019), digital art by Kevin McLaughlin
In Recovery, above, a gaping chasm representing fear, debt, self-doubt, and loss threatens to swallow several figures who are scrambling to safety. The rules of gravity and solidity seem to behave differently for each as they struggle; one seems to have found purchase at the brink, one is climbing almost sideways into a different plane, and another's outstretched hand seems to be piercing reality, offering a momentary anchoring effect.
I hope you enjoy these raw, simple renderings... Your comments and reactions are most welcome!
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These are very interesting and thoughtful pieces, Kevin :) I like both, the child facing the angel with the tunnel, with his past replicating itself into a myriad of shadow forms behind him, is really communicative on the journey of our lives, and how our decisions shaped where we have arrived at, in the present.
The second one also is wonderfully expressive. I can feel the struggle from each figure as they try to cope with their own portion of the chasm.
Very lovely pieces, @kismetart :)
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